Coco (2017) dir. Lee Unkrich
Tag: animated movies
Director Brad Bird talks about how they came up with the name for “Ratatouille”
He’s so great
Coco (2017) dir. Lee Unkrich
You know what I love about this scene?
Miguel is right. The first time I watched it, I expected a later scene where Miguel was proven wrong or shown the error of his ways—one where it’s firmly established that adults might make rules that don’t make sense, but they have their reasons and it’s best to abide by their wishes.
But no. That doesn’t happen. Instead, we see that Imelda’s insistence on the music ban, and her refusal to reconsider, indirectly (or perhaps directly) land Miguel in even greater danger, as he wouldn’t have gone after de la Cruz were it not for Imelda insisting he give up music forever. The happy ending comes not when Miguel agrees to give up music to please his family, but when he defies the ban to save Héctor and restore Mama Coco’s memories.
I can’t tell you how many kid’s movies I’ve seen that would have taken “Family comes first” to mean “The adults’ wishes are paramount even if they’re unreasonable.” It would have been so easy to have Miguel simply go along with what Imelda wanted, but Pixar instead gave us a story where a child’s decision to contest an unfair rule is what eventually restores a broken family.
Even reading about this movie makes me tear up
Hello. I am Baymax, your personal healthcare companion.
Who am I? I am a girl who loves my island. I’m the girl who loves the sea It calls me. I am the daughter of the village chief. We are descended from voyagers. Who found their way across the world. They call me. I’ve delivered us to where we are. I have journeyed farther. I am everything I’ve learned and more. Still it calls me.
Kubo and the Two Strings (2016) dir. Travis Knight
I’ve been having a really bad day, so I thought I’d make this gifset in case any of you out there are feeling at your worst and need a little something to make your day brighter.
I was thrilled to pieces when I saw this scene. Disney could have written Gideon off like some bully character who never really amounted to anything, or got what was coming to him like a lot of those characters do in their movies.
Gideon made something of himself. He’s a pastry chef, something that’s not traditionally a job for men in media. And as soon as Judy speaks to him, he immediately apologizes to her. He doesn’t try to shrug it off as no big deal, or say that it was just boys being boys or whatever; he knows he hurt her, and he owns up to it. And Judy immediately forgives him.Well done, Disney.
Also the language that he used is not something that he would have most likely grown up hearing/using. Describing his failings as self-doubt that manifested into “unchecked rage and aggression” sounds SO MUCH like therapy speak. So he’s either gotten counseling to help him with some of his problems, or sought out literature to help himself. A++ disney 🙂
This movie is a treasure.





