A kid at work has decided that they don’t want to play with the kitchen set, and don’t want to play Barbies, but would instead rather take the them-sized stove and the Barbie-sized stove and pretend that they’re mommy and baby stoves.
The baby stove is currently at stove school, which is for stoves.
The mommy stove is at work, and apparently makes soup for a living, which I know because this kid is has been chanting, “I MAKE SOUP AND I DO IT ALL DAY / EVERY SINGLE SOUP SECOND, EVERY SINGLE SOUP WAY,” louder and louder and higher and higher to the point where it’s now either being sung by the world’s loudest mouse or the world’s most out-of-breath six-year-old.
Tag: a good game
absolutely nothing in a video game has set a tone as well as asgore smashing the mercy button at the start of his fight and thats just a fucking fact
Please elaborate. I want to hear more about what you think of this.
not to be serious about epic divorce man but like. the asgore fight is more or less the payoff of the advertised theme of undertale – “you don’t have to kill anyone”, and he does the most to challenge this theme, not just to the player but on a personal level, since the running motif of undertale’s monsters is that they don’t want to kill you either, but they have to or less they will never be free.
the scene beforehand, where small shock plays, is given additional context on replays and knowing how chara, flowey, asriel, and frisk all relate to each other – asgore is looking at someone who looks identical and acts identically to his child who, from his perspective, died of an illness that he could not prevent, and he has to kill them again
it is as equally “you cannot spare me” as it is “i cannot spare you”, which when juxtaposed against how asgore never uses attacks that are aimed at the player directly, creates the mood that is “neither of us want to be here but we have to be for there to be a future at all so someone needs to fucking die already” and its really fucking good
We as the human race don’t deserve dogs.